Saving Mozart

The Other Palace

Mozart's music fused into a pop-rock score and sharing his history with a new generation. West End stars in this show are doing what they do best, and it's a powerful piece of work.

Of course, one huge appeal of this show is the presence of popular West End actors in this piece, but seriously... this show is rather good. It's not perfect, but it's a show with good potential, and the message reminds the audience to stay true to their individuality. The plot grabs you so much more than you expect. However, one of the most impressive things is the score; it's well-written and clever, crafted by Charli Eglinton. On the subject of the actors, though, it's flawless casting, and there's a range of unique moments. The actors lift the characters off the page and give them colour. It is a piece that explores aspects of Wolfgang Mozart's life and how there were a handful of people who shaped him into the classical legend he became. Don't think you know Mozart? Well, if you think about a few riffs, then you may know more about Mozart than you think...

Where to even start with the actors? The casting choice was *Chef's kiss*. Firstly, let's talk about the underdog of this show, Jordan Luke Gage. He plays Mozart's rival, Antonio Salieri, and there's something a little Tim Burton about his character; it's almost like he's a cartoon character. He plays this sinister, smug character well, and his high status is clear, and as the piece goes on, it's clear he starts to realise that Mozart is starting to catch up with him, and the rivalry seems to be helpful to Mozart's journey; it drives him and his rival. Friendly competition. Some intricate character work by Gage and his voice is addictive. Mozart is played by Jack Chambers, and his sister Nannerl is played by Aimie Atkinson. This pair is a match that is well-suited; the brother and sister relationship is stunning. Their voices harmonise in such a comforting way, and the power grows as the show goes on. There is a moment that stood out; there is a song where Nannerl is talking about seeing colour in music, and this scene has some gorgeous aesthetics. Not only visually, but in how you hear it, and this is clever, as it's like you're looking into Nannerl's mind.

Were we just talking about aesthetics? Well, that leads beautifully into set design and costume! It's simple, but effective. Costume was intriguing, symbolic and artistic. It was designed by Julia Pschdezki. The designs were essentially just like the music a fusion of modern clothes mixed with an old, classical style; corsets and long coats. The big M in the middle of the stage, while it's clear this show is all about Mozart, it just takes up a good chunk of the stage and seems to taint the efficiency of the set. The use of the piano throughout by the actors was important. A great choice. It reminds you of the importance of music to Mozart; it stays on stage because it is the most important thing to him. The colour scheme is dark and the fusions of colour that pop up in elements highlight the importance of each figure, moment, or item is to Mozart on his journey. Erin Caldwell plays his wife, she wears red elements, and this displays passion. The passion she ignites is not only their relationship, but she's also his muse. She inspires him to chase his passion.

As a classical music admirer, I was afraid this wouldn't be my cup of tea, but it was just what I needed. I'm sure there were many others in the audience who would agree. The show reminds me of how important it is to appreciate those around you and to chase the things you love. The music will sit in your head for a few days! This is one I urge you to go and see! It's also great to bring back the arts legends! Keep their relevance, be inspired by their journey, and be reminded that it doesn't just happen overnight.